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To teach as if there were no future

  • Devon Baur
  • , Electa Behrens
  • , Felipe Cervera
  • , Diana Damian Martin
  • , Renata Gaspar
  • , Sozita Goudouna
  • , Kyoko Iwaki
  • , Eero Laine
  • , Sarah Lucie
  • , Elizabeth McQueen
  • , Theron Schmidt
  • , Rajni Shah
  • University of California at Los Angeles
  • Norwegian Theatre Academy
  • Royal Central School of Speech and Drama University of London
  • Design e Sociedade (i2ADS)
  • Goldsmiths, University of London
  • University of Antwerp
  • Worcester Polytechnic Institute
  • University of California at Davis
  • Utrecht University
  • Academy of Theatre and Dance

Research output: Contribution to journalArticlepeer-review

Abstract

Drawing on diverse situated experiences, the twelve authors of this article suggest the potential in teaching as if there was no future. To speak of a performance pedagogy futurity is to speak of an impossibility–the coexistence and circulation of technique does not lead towards a shared future, as intercultural pedagogies might have it, but instead to the absence of futurity altogether. The question is not when a future will arrive, as institutional temporalities often suggest, but rather how we hold each other, across the planet, in a constantly shared present, by means of a pedagogic encounter committed to multidimensional processes of differencing.

Original languageEnglish
Pages (from-to)209-221
Number of pages13
JournalResearch in Drama Education
Volume30
Issue number2
DOIs
StatePublished - 2025

Keywords

  • Performance pedagogy
  • futurity
  • international performance literacies
  • non-futurity

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