Christian allegory on the northern frontier of New Spain: González de Eslava’s Coloquio quinto

Fernán González de Eslava’s fifth Coloquio espiritual y sacramental is a Christian allegorical drama from New Spain of the 1570s. It concerns Spanish attempts to ‘pacify’ the Gran Chichimeca, a contested desert frontier to the north of the Valley of Mexico. The antagonist of this play is a Chichimeca warrior, who challenges military and missionary attempts to conquer and convert. González de Eslava’s allegory vilifies this nomadic native warrior, casting him as the very figure of sin. This piece portrays a fierce Indigenous alterity in order to justify Spanish incursions into native lands and promote a Christianizing agenda. Remarkably, the playwright portrays Chichimeca territory with reference to a major foundational narrative of central Mexican peoples. He invokes the storied trajectory of ancestral migrants who departed from legendary sites of origin in the north, and journeyed southward into the Mexican Basin, where they settled. However, the allegorical drama reconfigures this southward path, and in the place of a central Mexican foundational narrative, González de Eslava asserts a Christian narrative and symbolic system.