A cost of musical training? Sensorimotor flexibility in musical sequence learning

We report an experiment that tested the flexibility of sensorimotor learning in sequence production. Nonpianists and pianists learned simple melodies by ear under one of two auditory feedback conditions: one with normal pitch mapping (higher pitches to the right) and one with an inverted (reversed) mapping. After learning, both groups played melodies from memory while experiencing each feedback condition. Both groups exhibited sensorimotor learning and produced fewer errors at test while hearing the feedback used during training as opposed to the alternate feedback condition. However, learning was unstable for pianists who learned melodies with an inverted feedback condition, who produced more errors at test than pianists who learned melodies with normal-pitch mapping. Acquiring musical skill may therefore constrain subsequent sensorimotor flexibility.